But equally its rivals aren’t standing still either and when comparing the X-H1’s movie features side-by-side with models like the Panasonic Lumix G9 (let alone the video-oriented GH5) and Sony’s A6500 and A7 III, you notice some key differences. The 100-400 lens performed very well and sharpness is impressive. Tap an icon on the right side of the screen and a tray pops-out, letting you adjust the shutter speed, aperture, compensation, sensitivity, microphone levels, wind filter, headphone volume, film simulation and white balance. The resolution also allows the X-H1 to match the detail presented by the best of its rivals including the Lumix G9 and Sony A7r III (albeit not the Sony A7 III’s viewfinder which stays at 2.36 Million dots). I tried the X-Acquire utility on my Mac which can connect over USB or Wifi; you’ll first need to set the camera’s connection settings to the desired connection type. Sample Images Intro Grip Specs Performance Compared User's Guide Recommendations More Fujifilm X-H1 (23.8 oz./674g with battery and card, $999 new or about $850 used if you know How to Win at eBay) and Fujifilm 16mm f/2.8. I couldn’t find a way to assign movie record to one of the many customisable keys either. Sometimes it would detect a face, but at other times just lose it. With the card inserted in Slot-1, a burst of 28 uncompressed RAW files took 7.47 seconds to finish writing to the card. As it stands, the X-H1 really needs its booster accessory in order to compete in a number of regards with similarly-priced rivals, and having it fitted all the time transforms it into a different beast. Again like the X-T2, an optional booster grip (the VPB-X-H1) allows you to accommodate two extra batteries, boost mechanical burst shooting to 11fps and extend all movie clips to half an hour, while also sporting an AC input and headphone jack. Meanwhile, Fujifilm’s MK-X cinema and Zeiss lenses use the full five axes of the body-based system, while adapted M-mount lenses or those mounted with a macro extension tube utilise three axes. The X-H1 additionally offers a Cinema 4k / 17:9 format, again at up to 200Mbit/s, although only at 23.976 and 24p frame rates. It’ll stay focused on a subject at 8 to 14fps and at long focal lengths, although for the best success you’ll be using a smaller AF region, and for ease of tracking you’ll want the slower burst speeds with feedback. On Micro Four Thirds, the closest match in coverage is the Olympus 12-40mm f2.8 with its 24-80mm equivalent range, but the f2.8 focal ratio delivers a less shallow depth of field, roughly equivalent to f4 on APSC or f5.6 on full-frame. Mounted on a G9, the total weight becomes 1040g. Panasonic and Canon also offer simple remote shutter release apps that operate using Bluetooth only for a responsive experience and no connection delays. The FUJIFILM X-H1 has a large, class-leading 3.69-million-dot high-resolution electronic viewfinder with the magnification ratio of 0.75x, boasting a display time lag … Note you can record to the SD card and output over HDMI simultaneously, but if you’re filming 4k you can only do it to one at a time – a menu lets you choose whether the 4k is going to be saved onto the SD card or output over HDMI, the latter having the benefit in F-Log of supporting 8-bit / 4:2:2. To be fair, that’s longer than Fujifilm estimates in its specs, but compare it to the Lumix G9 which in my tests managed to record almost two and a half hours of 4k / 24p footage at 100Mbit/s on a single charge, and in more useful 30 minute chunks too. For staged portraits it wasn’t an issue as it would generally pick up the subject given a few seconds or a couple of attempts, but for quicker spontaneous situations I found I couldn’t rely on it as much as I’d like. Switch to 1080p and you can film 20 minute clips with the X-H1 body alone versus 15 minutes on the X-T2. I did however have to keep an eye on the exposure, often applying compensation to handle the overcast skies. I find I can achieve the mood I want using these subtle but effective processes, rather than resorting to often heavy-handed filters on other systems. But by sticking with the already modest older battery and making the body potentially hungrier than before, power becomes the Achilles’ heel of the X-H1. Auto Exposure Bracketing (AEB) is available in three, five, seven or a whopping nine frames, unlike the basic three-frame option of earlier models (at least with their original firmware anyway). Switching to action, I photographed various combinations of birds in flight and cyclists using the XF 100-400mm. I also felt it was odd that despite six pages of options for the various buttons, none of them allowed you to assign movie record to any of them. Sadly you can’t tap to refocus when filming video though, or even when composing prior to filming video – it only works when the app slider is set to take still photos. It takes the X-T2 with its 24 Megapixel APSC X-Trans III sensor and adds built-in stabilisation (a first in the X-series), a touch-screen, tougher build, a bigger grip, enhanced movie features, a more detailed viewfinder, and … The larger body is to accommodate the built-in stabilisation and more substantial heatsink to keep the sensor cool, especially when filming video at the higher bit rates, but obviously the additional heft will be welcomed by anyone with larger hands or those who’ll more regularly shoot with Fujifilm’s bigger lenses. Like the X-T2 before it, the X-H1’s performance can be increased by mounting the optional Vertical Power Booster, in this case, the VPB X-H1. Anyway, here’s how some of the effects look in practice. The Fujifilm X-H1 measures 5.5 x 3.8 x 3.4 inches and weighs 23.7 oz. Finally! Either way, one of my favourite things about the Fujifilm viewfinders is how the information is reformatted to remain upright when you turn the camera into the portrait orientation – it’s such an obvious thing to do (and easy too with a digital display) and yet hardly anyone else does it. Throughout my tests with unstabilised lenses on the X-H1, I experienced similar results: typically a reliable three stops of compensation, or in some instances a little more. Like the X-T2 before it, the X-H1’s Vertical Power Booster also enhances the performance of the camera, increasing the mechanical burst speed from 8 to 11fps, improving the overall response and extending all movie clips to a maximum of 30 minutes. Fujifilm X-T3 is clearly the smaller of the two cameras. Previously I would be forced to use a monopod when shooting in low light with my XF56mm and XF90mm lenses. The X-H1 is fitted with Fujifilm’s X-Mount which, with the APS-C sensor behind it, applies a 1.5x field reduction factor to lenses – so the XF 16-55mm f2.8 zoom will deliver a field-of-view equivalent to 24-83mm. In the X-H1, Fujifilm has created a worthy top-tier entry to its mirrorless X-series line-up. Fujifilm’s Camera Remote app is available for iOS and Android devices and I tried the latter (v3.1.0.9) on my Samsung Galaxy S7 phone. As a camera aimed at experienced photographers though, the X-H1 lacks the full Auto mode switch of recent lower-end models. This is a frustrating limitation inherited from earlier models and something that really should be fixed by now. ISO, Film Simulation, Dynamic Range and White Balance bracketing are also available from the Drive menu should you want them, and each can be recorded with a RAW version if desired. I repeated the test several times with the same result. The weather-sealed body is Fuji’s toughest yet in the series with a shell employing magnesium that’s 25% thicker than the X-T2, and a harder, more scratch-resistant surface coating. The X-H1 becomes Fujifilm’s most capable camera for video to date, building upon the features and quality of the earlier X-T2. Same for the shutter speed in Shutter Priority, or indeed either of them in Manual, but you can’t change the actual exposure mode remotely, nor can you effectively hold down the release button for Bulb exposures. The X-H1 inherits the dual card slots and AF joystick of the X-T2, but adds a new AF-ON button as well as enlarging some of the buttons on the rear. The first Fujifilm X Series camera, officially called the Finepix X100, was launched back in March of 2011. Like previous bodies, the X-H1 applies its main image processing parameters using a set of Film Simulations that emulate classic Fujifilm film stock. Sony also nailed the process of image transfer a long time ago using NFC to simply copy a photo onto your phone during playback with nothing more than touching the two devices together. So if you’re an early adopter of the X-H1, you won’t be enjoying updated GPS positions yet. So while Fujifilm quotes both slots as being UHS-II compatible, in my own tests I found Slot-1 was a little quicker to flush large bursts. Set the shutter dial to A, but turn the aperture ring and you’ll be in Aperture Priority. Above: Fujifilm XF 16-55mm at 16mm (left) and 55mm (right). The EVF is amazing and ahead of the X-Pro2. I did occasionally experience the five stops quoted by Fujifilm, but not consistently. The Fujifilm X-H1 is the most advanced X-series mirrorless camera to date with in-body image stabilisation, touchscreen control and pro-spec build quality If you opt to ‘display window’, you’ll see a thin strip showing the camera model, shutter speed, aperture, ISO, compensation, white balance, and a small thumbnail of the latest picture taken. On the X-H1 you can configure the slots to record duplicate still photos for backup purposes on both cards, but sadly not video to both cards simultaneously (something the Sony A7 III can do). The bottom line is while the X-H1 is a fine movie camera, it’s still beaten on features by many rivals if video is your primary focus. Above: Harry with the Fujifilm X-H1 and XF 90mm. If you fancy more reach, there’s the Leica 12-60mm f2.8-4, which with the G9 weighs 978g. This however no longer matters when paired with the X-H1, as it’s the first body in the X-series to feature built-in sensor shift stabilisation. Bucking the trend for remote control apps, the choice of quality is actually set within the camera, not the app – you can choose the original image size or a reduced one at 3 Megapixels. You can also set a delay up to 24 hours before the sequence begins, although the camera still won’t assemble them into a timelapse video afterwards, something Canon, Olympus and Panasonic now offer as standard, sometimes even at 4k resolutions. If you set the shutter speed dial to T, you can use the rear dial to choose from the entire shutter speed range of 1/8000 (or 1/32000 if using the e-shutter) to 15 minutes, an enhancement over the original X-T2 (as well as most other cameras) that stop at 30 or 60 seconds before handing you over to Bulb for anything longer. You also can’t change the image quality or the exposure compensation remotely, although the current setting for each is shown on your device. I’m particularly fond of Acros with the Red filter option to darken blue skies and bring out cloud detail. Facebook 0 Twitter LinkedIn 0 Reddit Tumblr Pinterest 0 0 Likes. The effects deliver the usual results, but sadly you still can’t apply them to video, so no chance of capturing a miniature movie with the X-H1. In terms of battery life and overheating, I recorded consecutive 15 minute clips in 4k UHD / 24p at 200Mbit/s with stabilisation enabled using a fully charged battery in a cool room. Like 0 To put it through its paces, I used Eterna on all the video samples you’ll find in this review, unless otherwise stated. If you don’t like the shots as you take them, you have the chance to retry, but other than that there’s no other options. Simply the best Fuji ever made. Fujifilm has once again revolutionized the X-series with its latest release, the Fujifilm X-H1.Since its humble beginnings with the original X100 and X-Pro1, Fuji … Above: Distortion when panning with e-shutter at 14fps. Disclaimer 2: Fujifilm X-Photographer here. If you like this wider format, the X-H1 also lets you film 1080p video in the 17:9 shape, although again at only cinematic 23.976 and 24p frame rates. Fujifilm X-H1 autofocus and burst shooting. Here’s some examples, all at 55mm f2.8. For me a very welcome addition. In this in-depth review of the Fuji X-H1, we will take a closer look at what this mirrorless camera has to offer and why I consider it to be the best APS-C camera on the market today. Delve into the menus and you’ll also find an interval timer, with up to 999 (or infinite) frames captured at intervals between one second and 24 hours. If you fancy something more vivid, then choose Velvia, which coincidentally was always my favourite colour film for shooting landscapes. Ok, that’s the theory, how about the experience in practice? The one function that sets the Fujifilm X-H1 apart from all other cameras in the X series range is the addition of In Body Image Stabilisation (IBIS), which allows up to 5.5 stops of stabilization. Regardless, there are a number of handling reasons to make you choose this somewhat larger body. Above: Download the original file (Registered members of Vimeo only). 200 ISO with Lee Big Stopper. The Fujifilm X-H1 was the only Fujifilm X Series camera to feature IBIS. In terms of being able to follow subjects through the viewfinder, I found the lack of feedback at 8 to 14fps made it difficult with all but the most predictable subjects when shooting at long focal lengths. Above left: Fujifilm XH1, above right: Fujifilm GFX. This makes the X-H1 by far the largest and heaviest X-series body to date, most obviously sporting a substantially deeper grip and larger viewfinder head than the models that came before it. No need to do anything other than make the initial pairing before then leaving the app running on the phone. The Film Simulations are another part of the equation behind the lovely output from Fujifilm’s cameras. APS-C Lenses Medium-Format Lenses (more cameras below) Film. But Fujifilm’s Receive mode solves this by letting you initiate the transfer from the playback mode of the camera and push them to the handset. If you’d prefer complete silence, you can switch the X-H1 to its electronic shutter with the same benefits and caveats as before: on the plus side, you’re shooting in complete silence with the chance to deploy faster shutter speeds up to 1/32000 and quicker bursts up to 14fps, but on the downside there can be skewing artefacts due to rolling shutter if you pan the camera while shooting or try to capture subjects in motion (see below), and possible banding under some types of artificial light. I wanted to confirm if both slots really were the same speed, so then timed how long it took to flush a burst of uncompressed RAW files onto the card. The X-H1 also inherits the customizable continuous AF profiles introduced on the X-T2. It’s virtually the best camera ever made: 11 FPS with autofocus tracking, 325 autofocus points, touch screen, 14 fps without tracking, 24mp, industry-leading image stabilization, weather sealed, great ergonomics, best shutter sound ever…the list goes on and on. Once again it’s breathed a new lease of life into Fujifilm’s collection of fabulous prime lenses without optical stabilisation. New to the X-H1 is an electronic front curtain mode which uses an electronic shutter to start the exposure and a mechanical one to end it; this can help reduce the risk of shutter shock, although I never experienced any with the X-H1, so I stuck with either the fully mechanical shutter or the electronic one when I needed silence or the fastest burst shooting or quicker shutter. It’s like Leica-quiet. Above left: Fujifilm X-H1 Toy Camera effect, above right: Fujifilm X-H1 Miniature effect, Above left: Fujifilm X-H1 Dynamic Tone effect, above right: Fujifilm X-H1 Soft Focus effect. The FUJIFILM X-H1 is the first camera in the X Series to include ETERNA, a new film simulation ideal for shooting movies. Alternatively you can set the second card to take over when the first one fills, or record JPEGs to one card and RAWs to the other. Meanwhile, Panasonic’s Lumix G9 measures 137x97x91.6mm and weighs 658g including battery. Since it’s a dot matrix LCD, you could in theory display anything and I think it’d be fun to be able to upload custom graphics, like a logo, for display on startup. by Jeremy Gray Preview posted: 02/15/2018. If you’re shooting with continuous autofocus, the X-H1 exclusively uses this AF system and area, but if you switch to single autofocus, the coverage expands widthways using a contrast-based system to fill in the gaps at the sides for a total of 325 areas in a 25×13 array.
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